![]() Kafasis founded Rogue Amoeba in late 2002 while he was a 19-year-old sophomore in college at Tufts University. These days, journalists and others use Audio Hijack Pro to interview people through their Macs using applications like Skype (the legality of which varies from state to state if subjects aren’t informed about it.) They often also use Rogue Amoeba’s Fission audio editing tool to trim those interviews for podcasts. ![]() courts have repeatedly deemed lawful, as a form of fair use. Instead, Audio Hijack focuses on attributes more important to audio producers rather than building in convenience for ethically-challenged music consumers.īefore podcasting became a mainstream phenomenon around 2005, Audio Hijack enabled users to both time-shift and place-shift streaming audio programming on the Web, functionality that U.S. And if Rogue Amoeba had wanted to make an application to pirate music, it could have designed the software to make the process much more seamless. Kafasis, a co-founder of the privately-held company, points out that the company’s software doesn’t focus on distribution. As this CNET review puts it, “Audio Hijack Pro is an affordable audio-recording workhorse for the Mac, capable of capturing audio from applications, devices such as microphones, or any other source that runs through your machine.” You’d think that with a zany company moniker like Rogue Amoeba, and a flagship product named Audio Hijack, CEO Paul Kafasis and his colleagues would have received far more press attention than they have in the company’s past 12 years of existence.Īfter all, Audio Hijack Pro is a piece of software that enables individuals to copy digital music broadcasts, among other things.
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